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帝国[电影解说]
帝国[电影解说]

帝国[电影解说]

  ShortfilmEmpireisbasedonaradiodramaSorry,WrongNumberbytheAmericanwriterLucilleFletcher.Actually,Sokurovdrawsonasinglethemeformingthebackgroundforthestoryofthethriller—thewoman'sillness…Theheroineisbed–riddenandheronlymeansofcommunicationwiththeoutsideworldishertelephone—untilakillerinterruptstheconversation…  Sokurovremovesallthedialogues,leavingusalonewiththeheroine—“alivingskeleton”amongtherefined,withatouchofModern–style,furnishings—whoislisteningtoaradiobroadcastingofTraviata,withitspleasformercyandlove.Anelegantcoffin–homeisthespatialcentreandsymbolizationoftheentirefilm.Andinsidethecoffinwecertainlyseetheactress—thefamousRussianballerinaAllaOsipenkowhoplaysnotonlytheheroinebutalsoherownself.  Thismetaphoriccinema–imagebearsanallusiontothegreat“handicapped”SarahBernhardtwhowasreportedtosleepinacoffin,aswellastotheentirecomplexofaesthetisedDecadence,convertinganapologyofDeathintoalifestyle.Hereisthekeytothecodeofthetitle.Empireisastylethatattemptedtoreanimatethedeadancientharmony.TheheroineofSokurov'sfilmcommunicateswithherphoneastheonlypartner,andsortofinterfereswiththebeyond,attractingthisair—intangibleyetsaturatedwithdanger.Itisfromtheradioairthatsheaccumulatesbothpleasureandtranquillity—theariaofdyingyetbelovedVioletta,whilethekiller'ssilhouettematerializesfromthephoneair.Achamberpot,overturnedandspiltbythekillerinhaste,remainstheonlyevidenceofhumanactivitiesinthisboudoirofDeath.Sokurov'smetaphor,cladinnaturalisticdetails,producestheeffectofironicdisclosure:“awetspot”isleftafterasymbol.  ThefilmwasshotasastudyworkofaVGIKstudentS.Sidorov.AtthattimeSokurovdidnothaveachancetolaunchaprojectofhisown,thereforeheusedthispossibilitytowork.VisualconceptionofthisfilmanticipatesaconsiderablenumberofSokurov'sfutureexperiments:lightthatmodelsthespace,levellingofcolours,correlationofcontrastingtextures.

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